翻訳と辞書
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・ T.I. Ahmadiyya Senior High School, Kumasi
・ T.I. discography
・ T.I. videography
・ T.I. vs. T.I.P.
・ T.I.'s Road to Redemption
・ T.I.M.E. (The Inner Mind's Eye)
・ T.I.M.E. Soundtrack
・ T.I.N.A. (song)
・ T.I.N.T.
・ T.I.P. (album)
・ T.I.P. Crew
・ T.J. Caystile
・ T.J. Cinnamons
・ T.J. Clark (fireboat)
・ T.J. Collins
T.J. Demos
・ T.J. Dillashaw
・ T.J. Gottesdiener
・ T.J. Jenkin
・ T.J. Johnson
・ T.J. Lowther
・ T.J. Mack
・ T.J. Maloney
・ T.J. Martinez
・ T.J. Maxx
・ T.J. Perkins
・ T.J. Scott
・ T.K. Chathunni
・ T.K. Madhava Memorial College
・ T.K. Shutter Reserve


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T.J. Demos : ウィキペディア英語版
T.J. Demos
T.J. Demos is an art historian and cultural critic who writes on contemporary art and visual culture. Currently a Reader in the Department of the History of Art at University College London, where he has worked since 2005, he is the author of several books, including ''The Migrant Image: The Art and Politics of Documentary during Global Crisis'' (Duke University Press, 2013), and ''Return to the Postcolony: Spectres of Colonialism in Contemporary Art'' (Sternberg Press, 2013). Demos will join the History of Art & Visual Culture Department at UC Santa Cruz beginning in Spring, 2015.
Demos has also curated a number of art exhibitions, including ''Uneven Geographies: Art and Globalization'', at Nottingham Contemporary (with Alex Farqharson), in 2010;〔The show included the work of Éduardo Abaroa, Azzellini & Ressler, Yto Barrada, Ursula Biemann, Bureau d’Études, Öyvind Fahlström, Goldin + Senneby, Mark Lombardi, Steve McQueen, Cildo Meireles, George Osodi, Bruno Serralongue, Mladen Stilinović, Yang Zhenzhong.〕 and ''Zones of Conflict'', at Pratt Manhattan Gallery in New York in 2008.〔Featuring work by Ghaith Abdul-Ahad, Sam Durant, Andrea Geyer and Simon J. Ortiz, Joana Hadjithomas and Khalil Joreige, Thomas Hirschhorn, Emily Jacir, Lamia Joreige, An-My Lê, Walid Raad, Ahlam Shibli, Sean Snyder, Hito Steyerl, and Guy Tillim.〕
==Education and career==

Demos received his PhD in 2000 from Columbia University. His first book, which emerged from his doctoral thesis, was ''The Exiles of Marcel Duchamp'' (MIT Press, 2007). It situates Duchamp’s mixed-media projects, such as ''La Boîte-en-valise'', and his installations, including the 1938 Surrealist exhibition in Paris, in the context of the early twentieth century’s world wars and nationalist formations. The text argues that Duchamp’s practice brought about an aesthetic negotiation of the experiences of geopolitical dislocation.

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